{"version":"1.0","provider_name":"SFMOMA","provider_url":"https:\/\/www.sfmoma.org","author_name":"Julie Lamb","author_url":"https:\/\/www.sfmoma.org\/author\/jlamb\/","title":"Alexander Calder","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"iR5rTuvLFo\"><a href=\"https:\/\/www.sfmoma.org\/exhibition\/alexander-calder\/\">Alexander Calder<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/www.sfmoma.org\/exhibition\/alexander-calder\/embed\/#?secret=iR5rTuvLFo\" width=\"600\" height=\"338\" title=\"&#8220;Alexander Calder&#8221; &#8212; SFMOMA\" data-secret=\"iR5rTuvLFo\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/www.sfmoma.org\/wp-includes\/js\/wp-embed.min.js\n<\/script>\n","thumbnail_url":"https:\/\/d1hhug17qm51in.cloudfront.net\/www-media\/2025\/12\/24094159\/Calder_x2021.4017_06_H02-header3-1-scaled.jpg","thumbnail_width":2560,"thumbnail_height":1456,"description":"\u201cSculpture has become . . . an aerial act,\u201d wrote an enthusiastic critic in 1929 about the work of Alexander Calder. Although this observation was prompted by Calder\u2019s early, figurative wire sculptures, it could just as well describe the hanging \u201cmobiles\u201d the artist created in the early 1930s. In these extraordinary constructions, carefully counterbalanced elements [&hellip;]"}